| KEY FEATURES |
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Camera Effective Pixels Effective PixelsSlightly less than the total number of pixels normally stated for an image sensor (CCD, CMOS, etc.), this term represents the actual number of pixels used to record an image. |
7.2 Megapixels |
Optical Image Stabilizer Optical Image StabilizerDefinition: O.I.S. stands for Optical Image Stabilizer. MEGA O.I.S. technology helps solve the problem of unintentional hand movement that can result in blurry images, particularly with telephoto shots.
How does it work? In the event that hand movement is detected by the built-in gyrosensor, a signal is relayed to a microcomputer, which instantly calculates the amount of compensation needed. A linear motor then shifts the lens as necessary to guide incoming light from the image straight to the CCD. The entire process takes just tenths of a second!
Benefit(s): Panasonic insists on using an optical image stabilizer rather than an electric one because there is no image degradation with optical processing. MEGA O.I.S. lets you expand your shooting possibilities. For example, using the MEGA O.I.S. and a slow shutter speed lets you capture a sunset scene or shots in dim indoor lighting without losing the mood or atmosphere.
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MEGA O.I.S. MEGA O.I.S.Definition:
O.I.S. stands for Optical Image Stabilizer. MEGA O.I.S. technology helps solve the problem of unintentional hand movement that can result in blurry images, particularly with telephoto shots.
How does it work?
In the event that hand movement is detected by the built-in gyrosensor, a signal is relayed to a microcomputer, which instantly calculates the amount of compensation needed. A linear motor then shifts the lens as necessary to guide incoming light from the image straight to the CCD. The entire process takes just tenths of a second!
Benefit(s):
Panasonic insists on using an optical image stabilizer rather than an electronic one because there is no image degradation with optical processing. MEGA O.I.S. lets you expand your shooting possibilities. For example, using the MEGA O.I.S. and a slow shutter speed lets you capture a sunset scene or shots in dim indoor lighting without losing the mood or atmosphere.
( Mode 1 / Mode 2 ) |
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3.6x |
| Image Sensor |
1/2.5" 7.38 Total Megapixel CCD CCDA mega-pixel CCD (charged coupled device) converts optical data into digital information. It lets you capture crisp, clear images in high resolution, and helps bring out a full range of expressive color and detail. Primary Color Filter Primary Color FilterA filter that uses the primary colors (red, green and blue) to ensure the correct extraction of color information from the CCD. It is generally assumed that the use of this filter on a digital camera makes it easier to create vivid, rich color images.
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| Extra Optical Zoom |
4:3 Aspect Ratio: 4.4x for 5 Mega, 5.5x for 3 Mega, 2 Mega, 1 Mega, 0.3 Mega 3:2 Aspect Ratio: 5.5x for 2.5 Mega 16:9 Aspect Ratio: 5.5x for 2 Mega |
Digital Zoom Digital Zoom(for Camcorders) Through the use of digital technology, the zoom ratio on select Panasonic camcorders can be increased to an amazing 700:1 or greater, depending on the model. After the highest optical zoom setting is reached, the digital zoom automatically takes over, magnifying the image by blowing up the pixels to give you an incredibly close shot.
(for Digital Cameras) A feature found in many digital cameras that takes a portion of the image's data and displays it at full size, producing an enlargement (magnification) of the original image, similar to the effect of using a telephoto lens. This process, however, is different from the magnification produced using the camera's optical zoom, and the stronger the digital zoom, the more the image will degrade.
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4x (Max. 14.6x combined with Optical Zoom without Extra Optical Zoom) (Max. 21.9x combined with Extra Optical Zoom) |
Focal Length Focal LengthThe distance from the middle point of the lens to the focus point. Assuming that the camera's position is fixed, the larger this value becomes, the larger the subject appears (telephoto). Conversely, the smaller this value becomes, the smaller the subject becomes (wide angle).
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f=4.6-16.8mm (35mm equivalent: 28-102mm) |
| Lens |
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| Lens Construction |
7 Elements in 6 Groups (4 Aspherical AsphericalNormally, a portion of the spherical front surface of a lens contains aberrations. Lens designers, as they strove to create a perfectly curved lens face, ultimately created a non-spherical, or aspherical lens.
Lenses/4 Aspherical AsphericalNormally, a portion of the spherical front surface of a lens contains aberrations. Lens designers, as they strove to create a perfectly curved lens face, ultimately created a non-spherical, or aspherical lens.
Surfaces) |
Aperture ApertureWorking much like the pupil of the eye, the movement of the lens' internal aperture blades closes or opens the aperture to adjust the amount of light passing through the lens. The value inscribed on the aperture ring of the lens (F1.4, F2, F2.8, etc.) represents the size of the aperture and is called the "aperture value" or "f-stop." As this value increases, the aperture narrows, or is "closed," and as it decreases, the aperture widens, or is "opened."
Range |
Wide: F2.8/F8 (2 steps) Tele: F5 - F16 (2 steps) |
| PERFORMANCE FEATURES |
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| Conversion Lens Compatibility |
No |
| Focusing Area |
Normal: 50cm - infinity Macro/Simple: Wide 5cm / Tele 30cm - infinity |
| AF Metering |
1 point 1 point high speed 3 points high speed 9 points Spot |
| Focus |
Auto Focus System Normal/Macro (Dial) |
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Yes |
ISO Sensitivity ISO SensitivityA value used to indicate a film's sensitivity to light. ISO also stands for the International Standards Organization. Since no similarly defined standard exists for digital cameras, the term "ISO 100 equivalent" is used. A larger ISO value indicates that the camera can take a better picture in dimly lit locations (such as indoors). |
Auto / I.ISO / 100 / 200 / 400 / 800 / 1250 (High Sensitivity Mode: 3200) |
White Balance White BalanceDefinition: Provides color temperature correction when taking photographs at different times on a sunny day, or in different types of artificial lighting.
How does it work? White Balance adjusts automatically. However, depending on the scene or light condition, the Automatic White Balance may not be able to bring out natural colors. In such cases, the White Balance can be adjusted manually. While differences exist between Auto White Balance and Manual White Balance types, this feature is found on every digital camera. |
Auto / Daylight / Cloudy / Shade / Halogen / White Set / White Balance Adjustment (150K step, -1500 +1500K) (except for auto WB) |
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Exposure Compensation Exposure CompensationDepending on the subject's degree of reflectance or lighting condition, AE photography can easily produce exposures that are either over or under the optimum. To compensate for this type of error, plus or minus compensation can be added to correct the exposure, which is called exposure compensation. |
1/3 EV Step, ± 2 EV |
Backlight Compensation |
Yes (at simple mode) |
Auto Bracketing Auto BracketingAutomatically takes multiple pictures with a single press of the shutter, each using a different exposure. (Usually average, over and under exposed) This reduces the chance of an incorrect exposure. After shooting, you can look at the results and keep the best shot.
( AE AEAbbreviation for Automatic Exposure. The camera's exposure sensor measures the brightness of the subject and automatically calculates an exposure. Generally, there are three types of AE: Program AE, Aperture Priority AE and Shutter Priority AE.
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+1/3EV-1EV Step, 3 Frames |
| Light Metering |
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Shutter ShutterOne of the camera's most important mechanisms, the shutter controls the light exposure by opening for a precisely determined time and then closing. With film cameras, it can be a piece of black cloth or articulating steel in the center of the film chamber. It is designed to prevent light from striking the film surface while the shutter button is not pressed, and to regulate the amount striking the surface when the shutter button is pressed.
Speed/Shutter System |
8 - 1/2,000 sec. Starry Sky Mode: 15, 30, 60 sec. Motion Picture: 1/30 - 1/20000sec. |
Self Timer Self TimerAn automatic feature that provides a delay after the photographer presses the shutter until the shutter actually opens, to allow the photographer to take a self-portrait or pose in a family group picture, and to reduce hand-shake.
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10 seconds / 2 seconds |
| Auto Review |
1 sec/3 sec/zoom |
| Review |
1x/4x/8x |
| Picture Adjustment |
Natural, Standard, Vivid |
| Color Effect Mode |
Cool, Warm, Black & White, Sepia |
| Recording Format |
Still Image: JPEG (design rule for camera file system), DPOF corresponding Still Image with Audio: JPEG (design rule for camera file system) + QuickTime Motion Images: QuickTime Motion JPEG |
| Image Quality |
Fine/Standard |
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| 4:3 Aspect Ratio (Still Image) |
3072 x 2304 2560 x 1920 2048 x 1536 1600 x 1200 1280 x 960 640 x 480 |
| 3:2 Aspect Ratio (Still Image) |
3072 x 2048 2048 x 1360 |
| 16:9 Aspect Ratio (Still Image) |
3072 x 1728 1920 x 1080 |
| Motion Image (4:3 Aspect Ratio) |
640 x 480, 320 x 240 |
| Motion Image (16:9 Aspect Ratio) |
848 x 480 |
| CONVENIENCE FEATURES |
. |
| Burst Shooting Mode |
Full-resolution image: Standard Mode: Up to 8 images at 3 or 2 frames/sec. Fine Mode: Up to 6 images |
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Yes |
| Still Image Recording with Audio |
5 seconds |
| Audio Dubbing |
Maximum of 10 Seconds |
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Yes |
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Yes (2 patterns) |
| Built-in Memory |
No |
| Scene Mode Help Screen |
Yes |
| Auto Angle Detection |
Yes |
| Travel Date/World Time |
Yes |
| STANDARD FEATURES |
. |
| Built-in Flash Type/Mode |
Auto Red-Eye Reduction: Auto, Slow-sync, Forced Off Forced On/Off |
| External Flash |
No |
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No |
| LCD Monitor |
2.5" Diagonal Polycrystaline TFT LCD (207k pixels) Field of view: approx. 100% in Live View Mode |
| Playback Mode |
25 or 9-Thumbnail Display Calendar Display, Zoomed Playback (16x max) Image Rotation Slide Show Favorite Pictures Resizing Trimming, Protection DPOF Print Setting |
| OSD Language |
English, Spanish, Japanese, Chinese (Traditional), German, Italian, French |
| Recording Media |
SD Memory Card SDHC Memory Card Multimedia Card |
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Yes |
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Yes |
| Interface |
DC Input, A/V Output (NTSC/PAL), USB |
| Direct Print |
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| Power Supply |
Lithium-ion Battery Pack (3.7V, 1150 mAh)(Included) AC Adaptor (Input: 110-240V AC)(Optional) |
Battery Life Battery LifeShooting conditions: 73.4°F with 50% humidity;LCD On;
Using an SD Memory Card; Starting to shoot 30 seconds after turning on the power; Shooting once every 30 seconds with the flash in full operation for every other shot; Changing the zoom setting from telephoto to wide, or wide to telephoto, for each shot; Temporarily turning the power off after each 10 shots (long enough to lower the battery temperature. For DMC-LC1: Shooting once every 30 seconds, flash in operation for every shot, 77°F(25°C) ambient temperature.
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Up to 320 pictures (CIPA Standard) |
| ACCESSORIES |
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| Included Software |
ArcSoft® PhotoImpression PhotoImpressionAllows you to adjust colors, crop and process images in other ways to create calendars, cards, art works and more.
™, ArcSoft® Panorama Maker ™, ArcSoft® PhotoBase ™, USB Driver, Lumix® Simple Viewer |
| Standard Accessories |
Battery Charger, Battery Pack, Battery Carrying Case, SD Memory Card 16MB, AV & USB Cables, Strap |
| SPECIFICATIONS |
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| Dimensions (H x W x D) | 2.01'' x 3.70'' x 0.95'' |
| Weight | 0.29 lbs |